Though The Bad Lieutenant: No Full Frontal Nudity in the Big Easy is quite entertaining, with Nicolas Cage doing a nifty job with the role inherited from Keitel, it is still hard to figure out why a director of so many dazzling but obscure cult films would sort of, kind of remake an obscure film by a maker of many obscure cult films. He does admit that the film's title – which he never liked – may have added to the confusion.įerrara is furious abut the whole thing, perhaps because he feels that if you're going to remake one of his movies, you should at least leave the stuff about the penises in there. Protesting that he never saw Ferrara's film, Herzog asserts that his Bad Lieutenant (set in New Orleans) has nothing to do with the other Bad Lieutenant (set in New York) except that both of them are about corrupt police lieutenants seeking redemption. In the long history of puzzling remakes, Werner Herzog's Bad Lieutenant certainly must rank right near the top, if only because Herzog has insisted that it is not a remake. Not so long ago, Werner Herzog's The Bad Lieutenant: Port of Call – New Orleans was put into production. There was at the time no great demand for Keitel – a fine actor, but never a matinee idol – to show off his penis, even though it was a very splendid penis indeed, nor has there been any grassroots groundswell of support for this sort of thing afterwards. The film did nothing at the box office, and is remembered mostly because it is the motion picture in which Keitel shows off his penis. In it, Harvey Keitel played a morally bankrupt police officer who seeks redemption by investigating the rape of a nun who refuses to bring charges against her assailant, turning the Bad Lieutenant into the Mad Lieutenant.
Magnificent sevens movie movie#
In this particular case, my advice is to stick to the classics because not even the great cast saved the film from mediocrity.I n 1992, Abel Ferrara made a very dark, very depressing movie called Bad Lieutenant. The ones chosen to reinstate the order and make justice are the following: Josh Faraday (Chris Pratt), an inveterate gambler Goodnight Robicheaux (Ethan Hawke), a precise gunman Billy Rocks (Byung-hun Lee), a knife-addicted assassin Jack Horne (Vincent D'Onofrio), a veteran master tracker Red Harvest (Martin Sensmeier), an alert Comanche and Vasquez (Manuel Garcia-Rulfo), a Mexican outlaw.įuqua’s modern version of the Sevens, besides lacking humor and a focal point, is too long and stereotyped, requiring patience from those viewers who care for something more than just wild action in its forms of shootouts, explosions, machine-gun sweeps, head-to-head duels, and Indian meticulous strikes. The tenacious Chisolm starts his recruitment process after he realizes that it’s Bogue who’s behind the evildoing. (Luke Grimes), set out to ask for help in the nearest town. Without wasting time, Emma and her friend Tommy Q. The latter, moved by a limitless greed, turned Emma Cullen (Haley Bennett) into a widow when he besieged the little mining town of Rose Creek.
The filmmaker, relying on the screenwriters Nic Pizzolatto and Richard Wenk, decided to preserve some important elements and scenes from the prior version at the same time that he attempts to build up something appealingly new.ĭenzel Washington, Fuqua’s frequent star and collaborator, is Sam Chisolm, a warrant officer from Wichita, Kansas, who agrees to gather a group of men to hunt the unscrupulous industrialist Bartholomew Bogue (Peter Sarsgaard).
Magnificent sevens movie free#
His latest creation and first Western is a free adaptation of John Sturges’ 1960 classic “The Magnificent Seven”, which in turn had been adapted from Kurosawa’s 1954 Japanese masterpiece “The Seven Samurai”. A few examples are: “Training Day”, “The Equalizer”, “Southpaw” and “Olympus Has Fallen”, all of them seeking for that urgent action, sometimes meritorious sometimes wearisome.
If we take a look at Antoine Fuqua’s directorial career, it’s obvious to conclude that action-packed blockbusters are the dishes he loves to cook and serve.
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